A representação feminina e as relações intersemióticas em Objetos Cortantes e Garota Exemplar
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Tipo
Artigo
Classficação
Nível teórico
Data
2021
Título do Períodico
Travessias
ISSN
1982-5935
Página(s)/e-location
178-193
Idioma(s)
pt
Fonte
Fonte
Cascavel, PR
15
2
maio/ago.
15
2
maio/ago.
Coleções
Resumo
Este trabalho faz parte de uma pesquisa de iniciação científica , cujo objetivo é analisar a representação feminina na literatura, na televisão e no cinema, tendo como corpus as versões literárias de Objetos Cortantes (2006) e de Garota Exemplar (2013), ambas da autora Gillian Flynn, e suas versões sincréticas homônimas, que têm como organizadores respectivamente Jean Mark Vallée (2018) e David Fincher (2014). Percebe-se que todas as obras de Flynn, tanto nas versões literárias quanto nas sincréticas homônimas, há predominância de figuras femininas marcantes, como podemos perceber pela protagonista de Objetos Cortantes (2006), Camille Preaker, e de Garota Exemplar (2013), Ammy. Nessas obras, podemos observar que as personagens principais possuem pontos comuns, sendo que o principal é que ambas fogem aos constructos sociais e patriarcais da sociedade, mesmo que de formas diferentes. Diante disto, o nosso trabalho foi construído a partir da seguinte questão de pesquisa: Como se dão as relações intersemióticas nas obras de Objetos Cortantes (2006) e Garota Exemplar (2013) levando em conta a presença da figura feminina? Deste modo, objetivamos compreender como se configura a representação feminina nestas adaptações televisiva e fílmica das obras literárias. Este trabalho foi realizado a partir de uma metodologia bibliográfica, utilizando um aporte teórico que engloba Hutcheon (2011) e Martin (2006), os quais trazem considerações sobre relações intersemióticas e motivações econômicas para a construção de uma adaptação. Além disso, também utilizamos a obra organizada por Pinsky e Pedro (2012), que versa sobre a construção social e os papéis atribuídos à mulher através dos tempos.
This paper is part of a scientific initiation study that aims to research women's representation in literature, cinema, and television. The research corpus is composed of Gillian Flynn's books Sharp Objects (2006) and Gone Girl (2013), as well as its homonymous syncretic versions, organized respectively by Jean Mark Vallée (2018) and David Fincher (2014). It is noted that in all Flynn’s literary works and its homonymous syncretic versions the striking female figures predominate. This is true to Sharp Objects (2006) and Gone Girl (2013) protagonists. In these two works, the protagonists share characteristics, the most important being their distance from society’s social and patriarchal constructs, even if in different ways. Having that in mind, this paper was built from the following research question: How do the intersemiotic relations between Sharp Objects (2006) and Gone Girl (2013) work’s functions regarding the female figure’s presence? Therefore the paper intends to understand how the female figure representation is wrought in the book’s television and film adaptations. The paper is structured through a bibliographic methodology that englobes Hutcheon (2011) and Martin (2006) as both contribute with considerations regarding intersemiotic relations and economic reasons for adaptations. Besides, the work of Pinsk and Pedro (2012) is also important because it discusses social constructs and roles attributed to women throughout time.
This paper is part of a scientific initiation study that aims to research women's representation in literature, cinema, and television. The research corpus is composed of Gillian Flynn's books Sharp Objects (2006) and Gone Girl (2013), as well as its homonymous syncretic versions, organized respectively by Jean Mark Vallée (2018) and David Fincher (2014). It is noted that in all Flynn’s literary works and its homonymous syncretic versions the striking female figures predominate. This is true to Sharp Objects (2006) and Gone Girl (2013) protagonists. In these two works, the protagonists share characteristics, the most important being their distance from society’s social and patriarchal constructs, even if in different ways. Having that in mind, this paper was built from the following research question: How do the intersemiotic relations between Sharp Objects (2006) and Gone Girl (2013) work’s functions regarding the female figure’s presence? Therefore the paper intends to understand how the female figure representation is wrought in the book’s television and film adaptations. The paper is structured through a bibliographic methodology that englobes Hutcheon (2011) and Martin (2006) as both contribute with considerations regarding intersemiotic relations and economic reasons for adaptations. Besides, the work of Pinsk and Pedro (2012) is also important because it discusses social constructs and roles attributed to women throughout time.
Descrição
Palavras-chave
Objetos cortantes, Garota exemplar, Gillian Flynn, Representação feminina, Sharp Objects, Gone Girl, Gillian Flynn, Women Representation
Citação
PEREIRA, Milena Ramos; ANDRADE, Ana Carolina Negrão Berlini de. A representação feminina e as relações intersemióticas em Objetos Cortantes e Garota Exemplar. Travessias, Cascavel, PR, v. 15, n. 2, p. 178-193, maio/ago. 2021. https://doi.org/10.48075/rt.v15i2.27767. Disponível em: https://e-revista.unioeste.br/index.php/travessias/article/view/27767. Acesso em: 2022-02-21