A Inocência agreste: a representação do espaço no romance de Visconde de Taunay e na obra fílmica de Walter Lima
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Tipo
Artigo
Classficação
Nível teórico
Data
2021
Autores
Título do Períodico
Travessias
ISSN
1982-5935
Página(s)/e-location
160-177
Idioma(s)
pt
Fonte
Fonte
Cascavel, PR
15
2
maio/ago.
15
2
maio/ago.
Coleções
Resumo
O objetivo deste artigo é analisar a representação do espaço no romance Inocência (1872) de Visconde de Taunay e na obra fílmica homônima de Walter Lima, de 1983, tendo como enlace a proposição de transcriação, como conceituada por Haroldo de Campos (2019). A elaboração do espaço no romantismo regionalista é condição incontornável, pois propicia o desenrolar da trama e molda a personalidade dos personagens. Tencionamos esclarecer de que maneira a narrativa fílmica de Walter Lima reproduz a premissa taunayana tendo em conta o “duplo real” da linguagem cinematográfica, pontuado por Jacques Aumont (2012). Com isso, propomo-nos a delinear de que modo o espaço transcende sua condição de cenário, amalgamando uma atmosfera agreste, que assenta o perfil e as ações hostis dos personagens. Tendo em vista a representação do espaço como uma categoria da narrativa, cujo gênero ambas as produções eleitas se desdobram, elegemos Luis Alberto Brandão (2002), Osíris Borges Filho (2007), Jennifer Van Sijll (2017), ademais de Bordwell e Thompson (2013) como principal referencial teórico de nosso percurso analítico.
The aim of this article is to analyze the representation of space in the novel Innocence (1872) by Visconde de Taunay and in the homonymous film work by Walter Lima from 1983, having as a link the proposition of transcreation, as well as conceptualized by Haroldo Campos (2019). The elaboration of space in a romantic regionalist novel is an unavoidable condition, allowing the plot to unfold and molding the characters' personality. We intend to clarify how Walter Lima's film narrative reproduces the Taunayan premise taking into account the “real double” of cinematographic language, punctuated by Jaques Amount (2012). With this, we propose to delineate how the space transcends its condition of scenery, blending a wild atmosphere, which is based on the characters' hostile actions and profile. Bearing in mind the representation of space as a narrative category, and this is the genre by which both productions elected as corpus of this article unfold, we chose Luis Alberto Brandão (2002), Osiris Borges Filho (2007), Jennifer Van Sijll (2017), in addition to Bordwell and Thompson (2013) as the main theoretical framework of our analytical path.
The aim of this article is to analyze the representation of space in the novel Innocence (1872) by Visconde de Taunay and in the homonymous film work by Walter Lima from 1983, having as a link the proposition of transcreation, as well as conceptualized by Haroldo Campos (2019). The elaboration of space in a romantic regionalist novel is an unavoidable condition, allowing the plot to unfold and molding the characters' personality. We intend to clarify how Walter Lima's film narrative reproduces the Taunayan premise taking into account the “real double” of cinematographic language, punctuated by Jaques Amount (2012). With this, we propose to delineate how the space transcends its condition of scenery, blending a wild atmosphere, which is based on the characters' hostile actions and profile. Bearing in mind the representation of space as a narrative category, and this is the genre by which both productions elected as corpus of this article unfold, we chose Luis Alberto Brandão (2002), Osiris Borges Filho (2007), Jennifer Van Sijll (2017), in addition to Bordwell and Thompson (2013) as the main theoretical framework of our analytical path.
Descrição
Palavras-chave
Visconde de Taunay, Walter Lima, Inocência, Representação do espaço, Visconde de Taunay, Walter Lima, Inocência, Representation of space
Citação
LEITE, Erick Vinicius Mathias. A Inocência agreste: a representação do espaço no romance de Visconde de Taunay e na obra fílmica de Walter Lima. Travessias, Cascavel, PR, v. 15, n. 2, p. 160-177, maio/ago. 2021. https://doi.org/10.48075/rt.v15i2.27761. Disponível em: https://e-revista.unioeste.br/index.php/travessias/article/view/27761. Acesso em: 2022-02-21