A cosmicidade da casa: seus mitos e imagens no filme Mãe!, de Darren Aronofsky
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Tipo
Artigo
Classficação
Nível teórico
Data
2021
Título do Períodico
Travessias
ISSN
1982-5935
Página(s)/e-location
113-126
Idioma(s)
pt
Fonte
Fonte
Cascavel, PR
15
2
maio/ago.
15
2
maio/ago.
Coleções
Resumo
Este trabalho objetiva realizar uma leitura crítica do filme Mãe!, dirigido por Darren Aronofsky e lançado nos Estados Unidos no ano de 2017. De maneira específica, visa problematizar como a narrativa fílmica reencena uma série de mitos da literatura universal, que se desenrolam na versão cinematográfica considerando o simbolismo do território da casa, a qual é compreendida como um universo particular que se relaciona com uma significação cósmica, por meio da qual passa a representar o próprio mundo. No desenvolvimento das nossas reflexões, recorremos aos estudos no campo da mitologia, a partir da leitura de teóricos como Mircea Eliade (2007) e Philip Freund (2008), e a respeito do simbolismo do centro, através das pesquisas de Raissa Cavalcanti (2008) e Chevalier e Gheerbrant (2009), para destacar as relações dialógicas entre o enredo de Mãe! e determinados arquétipos literários. Particularmente, aprofundamos, ainda, a abordagem em torno das imagens da casa, realizando uma análise fenomenológica de seus lugares vitais com o auxílio teórico de Gaston Bachelard (2000), para demonstrar como no filme a arquitetura da morada se erige a partir de uma polaridade entre os espaços do alto e do subterrâneo.
This work aims to carry out a critical reading of the film Mother!, directed by Darren Aronofsky and released in the United States in 2017. Specifically, it intends to problematize about how a filmic narrative reenacts a series of myths from the universal literature, that unfold in the cinematographic version considering the symbolism of the territory of the house, which is understood as a particular universe that is related to a cosmic meaning, through which it comes to represent the world itself. In the development of our reflections, we resorted to studies in the mythology field, from the reading of theorists such as Mircea Eliade (2007) and Philip Freund (2008), and about the symbolism of the center, through the researches of Raissa Cavalcanti (2008) and Chevalier and Gheerbrant (2009), to highlight the dialogical relationships in the plot of Mother! and certain literary archetypes. We also focused, particularly, in the approach around the images of the house, carrying out a phenomenological analysis of its vital places with the theoretical support of Gaston Bachelard (2000), to demonstrate how the architecture of the house is erected from a polarity between the spaces above and below in the film.
This work aims to carry out a critical reading of the film Mother!, directed by Darren Aronofsky and released in the United States in 2017. Specifically, it intends to problematize about how a filmic narrative reenacts a series of myths from the universal literature, that unfold in the cinematographic version considering the symbolism of the territory of the house, which is understood as a particular universe that is related to a cosmic meaning, through which it comes to represent the world itself. In the development of our reflections, we resorted to studies in the mythology field, from the reading of theorists such as Mircea Eliade (2007) and Philip Freund (2008), and about the symbolism of the center, through the researches of Raissa Cavalcanti (2008) and Chevalier and Gheerbrant (2009), to highlight the dialogical relationships in the plot of Mother! and certain literary archetypes. We also focused, particularly, in the approach around the images of the house, carrying out a phenomenological analysis of its vital places with the theoretical support of Gaston Bachelard (2000), to demonstrate how the architecture of the house is erected from a polarity between the spaces above and below in the film.
Descrição
Palavras-chave
Darren Aronofsky, Mãe!, mitos, casa, Darren Aronofsky, Mother!, myths, house
Citação
MACÊDO JÚNIOR, Adriano Menino de; SILVA, Roniê Rodrigues da. A cosmicidade da casa: seus mitos e imagens no filme Mãe!, de Darren Aronofsky. Travessias, Cascavel, PR, v. 15, n. 2, p. 113-126, maio/ago. 2021. https://doi.org/10.48075/rt.v15i2.27750. Disponível em: https://e-revista.unioeste.br/index.php/travessias/article/view/27750. Acesso em: 2022-02-21