Do efeito de unheimlich à rememoração: o percurso narrativo da personagem Marion Post no filme A outra (1988), de Woody Allen
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Tipo
Artigo
Classficação
Nível teórico
Data
2021
Autores
Título do Períodico
Travessias
ISSN
1982-5935
Página(s)/e-location
194-211
Idioma(s)
pt
Fonte
Fonte
Cascavel, PR
15
2
maio/ago.
15
2
maio/ago.
Coleções
Resumo
Nossa análise demonstra como se desenvolve o percurso narrativo da personagem – dos efeitos de unheimlich sentidos pela protagonista Marion Post até à rememoração do seu passado –, cuja força a faz sair de seu enclausuramento narcísico no tempo presente e, assim, proporciona a ela novas possibilidades para o futuro. Nessa perspectiva, tomamos como ponto de ancoragem teórica a psicanálise, com Freud (2019), e o conceito de rememoração da filosofia da história de Walter Benjamin, tal como explica a filósofa Jeanne Marie Gagnebin (2014). Ao vincular os pensamentos de Benjamin e Freud, a autora enfatiza a relação da memória com as reflexões sobre a narração e sobre a “escrita da história”, seja ela uma história autobiográfica ou uma história coletiva. Através da narrativa fílmica, o diretor Woody Allen elabora novas formas de narrar os conflitos e os sofrimentos do sujeito moderno ao explorar os moldes clássicos do cinema hollywoodiano, como o melodrama, e de estratégias narrativas já bem aceitas pela cultura de massa, como o fantástico e a metaficção. Deste modo, o diretor atualiza esses recursos de forma crítica e criativa, transformando-os em produtos da cultura contemporânea com alta relevância estética, diferindo-os, assim, da maioria dos filmes comerciais da indústria hollywoodiana.
Our analysis intends to demonstrate how the character's narrative path develops – from the unheimlich effects felt by the protagonist Marion Post to the remembrance of her past – whose strength makes her leave her narcissistic confinement in the present time and, thus, provides her new possibilities for the future. In this sense, we take psychoanalysis as theoretical anchorage, with Freud (2019), and the concept of remembrance in the philosophy of history of Walter Benjamin, as explained by the philosopher Jeanne Marie Gagnebin (2014). In this text, by linking the thoughts of Benjamin and Freud, the author emphasizes the relationship between memory, narration and the “writing of history”, whether it is an autobiographical history or a collective history. The filmmaker uses the classic molds of Hollywood cinema, such as melodrama, and narrative strategies already well accepted by the mass culture, such as the fantastic and the metafiction. In this way, the director updates these resources critically and creatively, transforming them into products of contemporary culture with high aesthetic relevance, thus differing them from most commercial films in the Hollywood industry. Through filmic narrative, Allen elaborates new ways of narrating the conflicts and sufferings of the modern man.
Our analysis intends to demonstrate how the character's narrative path develops – from the unheimlich effects felt by the protagonist Marion Post to the remembrance of her past – whose strength makes her leave her narcissistic confinement in the present time and, thus, provides her new possibilities for the future. In this sense, we take psychoanalysis as theoretical anchorage, with Freud (2019), and the concept of remembrance in the philosophy of history of Walter Benjamin, as explained by the philosopher Jeanne Marie Gagnebin (2014). In this text, by linking the thoughts of Benjamin and Freud, the author emphasizes the relationship between memory, narration and the “writing of history”, whether it is an autobiographical history or a collective history. The filmmaker uses the classic molds of Hollywood cinema, such as melodrama, and narrative strategies already well accepted by the mass culture, such as the fantastic and the metafiction. In this way, the director updates these resources critically and creatively, transforming them into products of contemporary culture with high aesthetic relevance, thus differing them from most commercial films in the Hollywood industry. Through filmic narrative, Allen elaborates new ways of narrating the conflicts and sufferings of the modern man.
Descrição
Palavras-chave
Narração, unheimlich, A Outra, Woody Allen, Narration, unheimlich, Another Woman, Woody Allen
Citação
MIRANDA, Mariana Alice de Souza. Do efeito de unheimlich à rememoração: o percurso narrativo da personagem Marion Post no filme A outra (1988), de Woody Allen. Travessias, Cascavel, PR, v. 15, n. 2, p. 194-211, maio/ago. 2021. https://doi.org/10.48075/rt.v15i2.27769. Disponível em: https://e-revista.unioeste.br/index.php/travessias/article/view/27769. Acesso em: 2022-02-21