A arte da desaparição como experimentação tateante de pensamento: contribuições à pesquisa educacional
Loading...
Date
Type
Artigo
Classfication
Date
Journal Title
Educação (UFSM)
Journal ISSN
1984-6444
Page(s)/e-location
1-23
Language
pt
Source
Source
Santa Maria, RS
46
83
jan./dez.
46
83
jan./dez.
Collections
Abstract
O artigo tem como objetivo discutir as implicações da forma ensaística de pensamento para o campo da pesquisa educacional. A partir da triangulação de forças entre o pensamento de Michel de Montaigne, Enrique Vila Matas e Gilles Deleuze-Félix Guattari, o estudo explora de que modo, na aurora da subjetividade moderna, certa arte do retrato, produzida a partir da forma ensaística desenvolvida por Montaigne, permitiu a emergência de um modo de experimentação tateante do pensamento, cujo horizonte se volta a uma condição de desaparição. O trabalho visa esmiuçar essa distinta arte do retrato dedicada à desaparição, focando-se em sua potência fabulatória, bem como explorar suas ressonâncias nos modos como concebemos o ofício do pesquisador, sobretudo no campo educacional, em contraposição a outra arte de retrato denominada cartesiana. Por fim, a discussão aponta que a desaparição, ao instaurar outra geografia de pensamento, possibilita ao pesquisador educacional mobilizar procedimentos outros tendo em vista ensaiar o impensável.
This article aims to discuss the so-called essayistic form of thinking and its impact for the field of educational research. From the triangulation of forces between the thinking of Michel de Montaigne, Enrique Vila Matas and Gilles Deleuze-Felix Guattari, the study explores how, in the dawn of modern subjectivity, a certain art of portraiture produced from the essayistic form developed by Montaigne, produces a groping mode of thought experimentation whose horizon turns to a condition of disappearance. This work aims to study this distinctive portrait art dedicated to disappearance, focusing on its fabulous power, as well as explore its resonances in the ways we conceive the researcher's craft, especially in the educational field, as opposed to another portrait art called cartesian and developed by René Descartes. The discussion points out that the disappearance, by establishing another geography of thought, enables the educational researcher to mobilize other procedures in order to research the unthinkable.
This article aims to discuss the so-called essayistic form of thinking and its impact for the field of educational research. From the triangulation of forces between the thinking of Michel de Montaigne, Enrique Vila Matas and Gilles Deleuze-Felix Guattari, the study explores how, in the dawn of modern subjectivity, a certain art of portraiture produced from the essayistic form developed by Montaigne, produces a groping mode of thought experimentation whose horizon turns to a condition of disappearance. This work aims to study this distinctive portrait art dedicated to disappearance, focusing on its fabulous power, as well as explore its resonances in the ways we conceive the researcher's craft, especially in the educational field, as opposed to another portrait art called cartesian and developed by René Descartes. The discussion points out that the disappearance, by establishing another geography of thought, enables the educational researcher to mobilize other procedures in order to research the unthinkable.
Description
Keywords
Desaparição, Ensaio, Pesquisa educacional, Disappearance, Essay, Educational researche
Citation
VINCI, Christian Fernando Ribeiro Guimarães; RIBEIRO, Cintya Regina. A arte da desaparição como experimentação tateante de pensamento: contribuições à pesquisa educacional. Educação (UFSM), Santa Maria, RS, v. 46, n. 83, p. 1-23, jan/dez. 2021. https://doi.org/10.5902/1984644444292. Disponível em: https://periodicos.ufsm.br/reveducacao/article/view/44292. Acesso em: 2022-07-20
