As mulheres são todas iguais? Representações e interseccionalidades nos contos Maria, de Conceição Evaristo, e Amor, de Clarice Lispector
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Date
Type
Artigo
Classfication
Date
Authors
Journal Title
Travessias
Journal ISSN
1982-5935
Page(s)/e-location
e31460
Language
pt
Source
Source
Cascavel, PR
17
2
maio/ago.
17
2
maio/ago.
Collections
Abstract
Este artigo tem o objetivo de analisar as representações de gênero, raça e classe contidas nos contos Maria, de Conceição Evaristo (1991), e Amor, de Clarice Lispector (1960), de forma interseccional. As duas narrativas foram escritas na contemporaneidade, mas trazem representações distintas, uma vez que as personagens Maria e Ana, respectivamente, estão posicionadas enquanto sujeitas em locais diferentes e, portanto, perpassadas por fatores diversos. No âmbito metodológico, realiza-se uma análise cultural, enquanto no âmbito teórico faz-se uso de autoras como bell hooks (2019); Grada Kilomba (2019); Lélia González (1982); entre outras. De modo preliminar, é possível perceber que, embora as duas personagens sejam mulheres, elas não são representadas do mesmo modo, já que enquanto Ana é uma dona de casa de classe média que pode cuidar de seus filhos em período integral, Maria é uma empregada doméstica que trabalha excessivamente para sustentar os seus, o que faz com que preocupações diferentes atravessem cada uma.
This paper aims to analyze the representations of gender, race and class included in the tales Maria, from Conceição Evaristo (1991) and Amor, from Clarice Lispector (1960), in an intersectional way. Both tales were written in contemporary times, but bring out different representations, once the characters Maria and Ana, respectively, are positioned as individuals in different locations and, as a consequence, go through different factors. In the methodological field, a cultural analysis is done, while in the theoretical field, authors such as Bell Hooks (2019); Grada Kilomba (2019); Lélia González (1982) among others, are used. Preliminary is possible to see that, though both characters are women, they are not represented in the same way, since that while Ana is a middle-class housewife that can take care of her children full time, Maria is a housekeeper that works excessively to support hers, what causes different concerns pass through each of them.
This paper aims to analyze the representations of gender, race and class included in the tales Maria, from Conceição Evaristo (1991) and Amor, from Clarice Lispector (1960), in an intersectional way. Both tales were written in contemporary times, but bring out different representations, once the characters Maria and Ana, respectively, are positioned as individuals in different locations and, as a consequence, go through different factors. In the methodological field, a cultural analysis is done, while in the theoretical field, authors such as Bell Hooks (2019); Grada Kilomba (2019); Lélia González (1982) among others, are used. Preliminary is possible to see that, though both characters are women, they are not represented in the same way, since that while Ana is a middle-class housewife that can take care of her children full time, Maria is a housekeeper that works excessively to support hers, what causes different concerns pass through each of them.
Description
Keywords
Estudos culturais, Interseccionalidade, Literatura brasileira, Cultural studies, Intersectionalities, Brazilian literature
Citation
VERASTEGUI, Bruna Agliardi. As mulheres são todas iguais? Representações e interseccionalidades nos contos Maria, de Conceição Evaristo, e Amor, de Clarice Lispector. Travessias, Cascavel, PR, v. 17, n. 2, p. e31460, maio/ago. 2023. https://doi.org/10.48075/rt.v17i2.31460. Disponível em: https://e-revista.unioeste.br/index.php/travessias/article/view/31460. Acesso em: 2024-01-29
