Vigotski e a arte do ator: por uma psicologia do ator-performer
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Tipo
Dossiê
Classficação
Nível técnico
Data
2023
Autores
Título do Períodico
Pro-Posições
ISSN
1980-6248
Página(s)/e-location
ed0720210083
Idioma(s)
pt
Fonte
Fonte
Campinas, SP
34
34
Coleções
Resumo
Considerando que o ato criativo do artista da cena visa tornar presente um outro ser por meio de sua memória pessoal e da evocação de experiências e sentimentos vivos, este artigo reflete sobre a relação direta e objetiva do trabalho criativo do ator com a vida. Nesse sentido, aborda-se aqui manifestações que pretendam mais a presentificação do que a representação, uma prática surgida posteriormente, mas que se vincula aos escritos de Vigotski sobre a arte de atuar. Nesse sentido, busca-se pensar o termo perejivanie como manifestação em zona híbrida de intersecção da vida com a criação artística e como consequência (ou fonte) da arte exercida por aquele que hoje se denomina ator-performer.
Considering that the performing artist’s creative act seeks to make another being present through their personal memory and the evocation of living experiences and feelings, this article reflects on the direct and objective relation of the actor’s creative work with life. Accordingly, we address here manifestations that intend presentification more than representation, a practice that arose later, but which is associated with Vygotsky’s writings on the art of acting. Thus, we seek to consider the term perezhivanie as a manifestation in a hybrid zone of intersection of life with artistic creation and as a consequence (or source) of the art exercised by the one that is now called actor-performer.
Considering that the performing artist’s creative act seeks to make another being present through their personal memory and the evocation of living experiences and feelings, this article reflects on the direct and objective relation of the actor’s creative work with life. Accordingly, we address here manifestations that intend presentification more than representation, a practice that arose later, but which is associated with Vygotsky’s writings on the art of acting. Thus, we seek to consider the term perezhivanie as a manifestation in a hybrid zone of intersection of life with artistic creation and as a consequence (or source) of the art exercised by the one that is now called actor-performer.
Descrição
Palavras-chave
Perejivanie, Performance, Psicologia, Ator-performer, Perezhivanie, Performance, Psychology, Actor-performer
Citação
TONEZZI, José. Vigotski e a arte do ator: por uma psicologia do ator-performer. Pro-Posições, Campinas, SP, v. 34, p. ed0720210083. 2023. https://doi.org/10.1590/1980-6248-2021-0083. Acesso em: 2024-04-19