Navegando por Autor "ANDRADE, Elenise Cristina Pires de"

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    Lobos-maus e chapeuzinhos-vermelhos em ilustrações para ver e ler
    (2008) SCARELI, Giovana; ANDRADE, Elenise Cristina Pires de
    We consider looks in movement through the interiors of some images trying to recognize elements of its own language in order to establish a dialogue with these images and its/ours potentialities, wondering, senses. To see resonant Bad Wolf and Little Red
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    Máscaras: multidão: dispersão: dois pontos
    (2008) ANDRADE, Elenise Cristina Pires de; SPEGLICH, Érica
    Costumava ser mais fácil: fechar as fronteiras, montar os bloqueios de estrada, parar os trens, cortar as linhas telefônicas e então reprimir seu povo com impunidade. Foi isto o que os militares fizeram na antiga Birmânia quando esmagaram um levante pró-d
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    Vermelhos ritmos e(m) biologias: sonoridades de ruptura com o esperado na singularidade de viver mulher
    (2019) ANDRADE, Elenise Cristina Pires de; CARVALHO, Daniela Franco
    What if there is no waiting for the time in re-existence if it does not stop and does not pass? To give up on time through(out) experimentations with images, sculptures, cells, fluids to drill the upcoming. Moviments that can provoke us to pour in live red with Tunga and Cildo Meireles’s art. To withdraw from life, from body and from the resistance, the need of a lived time of biological conceptual precisions. And to leek around the edges of a red, dragged by signs of art. Women seaming (des)educations. Women who dare to sharp the times rifling. And, with it, to abandon the certainties and explanations for an aesthetic experience. To desire to lose the human and organic form that seeks to organize bodies, movements, thoughts, resistances and fights. And to invite for this confront creative desires and forces to produce what is broken to itself, what is ephemeral and generates pulses. To become. To pulse from the middle of the earth, from the street, from the university, from the classroom, from the museums knowledge, from the arts. Art-bio-life that drags a logos to chaotic rhythms-gestures in a mutant time produced in the singularity. We are the time. The pulses of a life (s)in education.
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    Item
    Vermelhos ritmos e(m) biologias: sonoridades de ruptura com o esperado na singularidade de viver mulher
    (2019) ANDRADE, Elenise Cristina Pires de; CARVALHO, Daniela Franco
    What if there is no waiting for the time in re-existence if it does not stop and does not pass? To give up on time through(out) experimentations with images, sculptures, cells, fluids to drill the upcoming. Moviments that can provoke us to pour in live red with Tunga and Cildo Meireles’s art. To withdraw from life, from body and from the resistance, the need of a lived time of biological conceptual precisions. And to leek around the edges of a red, dragged by signs of art. Women seaming (des)educations. Women who dare to sharp the times rifling. And, with it, to abandon the certainties and explanations for an aesthetic experience. To desire to lose the human and organic form that seeks to organize bodies, movements, thoughts, resistances and fights. And to invite for this confront creative desires and forces to produce what is broken to itself, what is ephemeral and generates pulses. To become. To pulse from the middle of the earth, from the street, from the university, from the classroom, from the museums knowledge, from the arts. Art-bio-life that drags a logos to chaotic rhythms-gestures in a mutant time produced in the singularity. We are the time. The pulses of a life (s)in education.