Navegando por Autor "NOGUEIRA, Fernanda"

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    Guia para internacionalização universitária
    (2021) NOGUEIRA, Fernanda; SANTOS, Pricila. Kohls. dos
    The Internationalization of Higher Education is an emerging theme and is part of the agendas, both institutional and multilateral organizations that have been discussing the theme for a long time. In Brazil, research related to this theme is growing, but still embryonic when compared to countries, mainly in the Global North. This is also why it is important to discuss the issue from the local point of view to reflect and better understand this movement at a more global level. This is the proposal of the work "Guide to University Internationalization", published by Editora EdiPUCRS in Brazil in 2019. The book organized by Professor Dra. Marília Costa Morosini presents different perspectives for the theme of Internationalization of Higher Education when addressing theoretical reflections with research empirical, derived from academic paths of different researchers and university spaces presented throughout its 14 chapters.
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    Metamorfose ambulante: a desidentificação carnavalesca de Ney Matogrosso na militadura brasileira
    (2016) NOGUEIRA, Fernanda
    This essay is a critical account of Ney Matogrosso's career in the 1970s. We have tried here to read the aesthetic and political repertoire of the artist as part of a Brazilian philosophical and critical production that confronts the military dictatorship and the binary sexual order imposed on bodies, both alive heritages of control and domination balls implemented since colonization. The text also makes a call to break with the traditional historiography, based on the accumulation of information typical of a cognitive capitalism era, in favor of a sensitive epistemology, to be able to reread popular local repertoires excluded from the academic environment and, thus, find there a situated gender theory. The first part of this report provides an overview of motivations that led to develop this research; then it seeks to connectinterventional characteristics of Ney Matogrosso's work, the break of expectations elaborated by him, and the confrontation of perceptual schemes in a society marked by colonialism and dictatorship. It also offers some perception from that period on the gender issue in his work and of other artists, and ends with fragments of histories in first person from different moments of his career, where Ney Matogrosso clearly mentions the topics such as gender, sexuality and forms of artistic activism marked by chameleonic, metamorphic, unclassifiable strategies. The ideas presented in the text have as background the history of the military dictatorship in Brazil, the history of gay and feminist movements, post-Marxist and post-structural theories, and peripheral existential politics.